Відео

eres un pro :D gracias, tenia dolor de cabeza por no encontrar la solucion!, de nuevo gracias!

tHANKS A LOT!!

Hi, I am learning nuke. I am trying to find a tutorial that explain each pass and how to stack them. Where did you learn what order to layer and what blending mode to use to get correct composite ?

The article is gone. Any suggestions?

my god the music is horrible

I always run in to a problem in Photoshop when it comes to adding the passes together, they always seem way too over-exposed and bright. It seems to be impossibile to get them to match up. But, when combining them in After Effects using a linear workflow they seem fine. How do you set up Photoshop to work in linear space correctly?

how are you? long time no see

bro where are you? your videos were so good. i'd be interested in your new workflows especially since photoshop doesnt support exr + camera raw anymore

vray raw render elements are not showing up... how can i solve?

Why I would use Nuke instead of Photoshop for this kind of work?

Leeloo : Leeloo Dallas mul-ti-pass. Korben Dallas : Yeah. Leeloo : Mul-ti-pass. Korben Dallas : Yeah, multipass, she knows it's a multipass. Leeloo Dallas. This is my wife. Leeloo : Mul-ti-pass. Korben Dallas : We're newlyweds. Just met. You know how it is. We bumped into each other, sparks happen... Leeloo : Mul-ti-pass. Korben Dallas : Yes, she knows it's a multipass. Anyway, we're in love.

THANKS BRO even ur tutorial is 6.5 years and ur speech sometimes not on point but this is difenetly very good explanation on how this things work! i was realy trying to find myself what is linear workflow but u did the most)

a doom light

Great tutorial! Thank you for this. I would like to mention that in my case, the image in AE looked darker after checking Linearize Working Space in Project Settings. I had to go to the View tab and make sure that "Use Display Color Management" was checked, so that the linearized working profile colors are actually converted to my display profile. Just posting this here in case somebody else had the same issue.

Hello sir can u plsss pls help to do exterior rendering I'm not able to do it I continuesy trying it but not learn it pls if u have some solution pls give me some tips

GOOD presentation... thanks!

Very well explained. Thank you

Love your tutorials. Straight to the point and no unnecessary bla blas. Thanks.

In which for u save passes ?

Thanks a lot

Hi CGalter, thanks for this great tutorial! It really helped us a lot. I'm thinking because I'm more into video, so the 3d i will generate from Vray 3ds Max is moving. Can I also generate multipasses in vray with moving video?

every time i see a tutorial like this one if feel pissed that i cant like it twice!

How do you battle the issues with the displacement modifier in gamma 2,2?

Very Very Thank you!!

Basically is a dodge and burn in the different levels, so smart thanks man

I knew how to render in exr formats, but that tiny option i missed it, and it did not work, searched in chaos group, and whatnot, finally your tutorial enlightened me. Cant thank u enuf man.

hi Ismail once again useful video ,thanks for that , here i have a small doubt ,hdri multiplier you said its 1 , but in exterior night scene im using viz ppl v1 night hdris , if im using 1 multiplier its so dark , so how much i can increase it ,please advice

Hi, Thanks for the Amazing Tutorial Sir. How can we do it in Image sequence?

Thanks man :)

thank you, very helpful !

Don't we use the diffuse passe on Nuke?

you are a beast! thx

Great video

Thanks bro! it finnaly work!

Heya. Im trying to achieve same thing as you did, but in a strange way my beauty pass and comp pass are not match =( what can be wrong? Working in 2.2 gamma with linear workflow i.imgur.com/PZL8rmQ.jpg desperately need an answer

Hello. I do not get the same result like the bty. do i need raw light, raw reflection and so on?

hello sir can you tell me how to select pass in 3d max and how to setup file and render. its a main mistakes.

ua-cam.com/video/SK6I5UfMPa8/v-deo.html

is compositor need to know how to take render passes in CG from maya(.exr)?

HUrray for you!

Could I ask how to compost the depth ????

First of all: Amazing video! :^) So.. I'm probably watching this video for the 3rd time or so. It really took me some time and experimenting on my own to truly understand everything. After doing some comparisons of several settings, I came to the conclusion that the linear workflow is *not usable for my editing and color grading workflow in Photoshop*. As shown in the video, a lot of editing tools are not available in 32bpc mode. LUTs work in 32bpc, but the result is way to extreme and are meant to be used in a non-linear color space. Well, the actual reason why I'd like to have 32bpc is to have a lot of room to fix (like you would do in photography). But in CG the image is in most cases already perfect (in terms of composition, overall exposure, etc.). So, I really don't need 32bpc. It's not like a photo that I accidentally shot underexposed and have to push the exposure +3 or something. 16bpc is enough for me. The best settings for me are currently *"Linear Multiply" and "Linear exposure control"*. Exponential HSV is too saturated, Exponential is too flat, Logarithmic exposure control is pretty much like LOG video footage. All of them require tweaking and adjusting to make it look natural first so that you can start color grading etc. My settings, "Linear Multiply" and "Linear exposure control", just solves the issue of overexposed areas and clamps it very smoothly without changing the whole image. This means, that it really depends on what you're trying to to with your render. If you want to make important changes in post e.g. change the intensity/color of lights, reflections, etc. (for previz) then you should use multipass compositing in 32bpc. What I'm trying to say is that people who work with real life footage (video, film) already waste too much time with color correction. In CG we should avoid that as much as possible to have more time to focus on the actual creative part :^)

Hello! Do you know how to collect Redshift passes in After Effects?

hey man, sometimes, when i save the files as png and make gamma correction in photoshop, i get very weird results. so basically, linear workflow simply wont work with any other img format expect the one u showed in the video? the exr format?

Please correct the passes you have in the white jar as is there is a huge burn of ambient occlusion. Im not pro in this but its just base on my observations this can cause a confusion to the viewer. Thanks

nice

hi bro...and maya users? maya has different path?

I am borrowing this principle from Vfx expert Hugo Guerra with Nuke Compositing. One way to force the match in photoshop would be to duplicate a copy of the beauty and move it to the very bottom of all layers with the mode Normal (same as over operation in Nuke) selected; then, add (Linear Dodge Add in photoshop, or plus operation in Nuke) every single non Raw passes (from bottom up the layers GI, Lighting, Reflection, Refraction, Self Illumination and Specular), group them all in a folder (originals) and duplicate it, one set it with the mode Linear Dodge Add and the duplicate copy with the subtract mode selected; put the duplicate folder with the subtract mode on top of the Beauty duplicate. Then, group both the Beauty and folder elements duplicates in a single folder with the Normal mode selected and name it Leftovers (to remind you that this is causing the trouble); now, move the folder with the original elements on top of the Leftovers; finally, put the original Beauty on top; then switch on and off the selector for the original Beauty to compare. Here is an illustration for the layers, www.screencast.com/t/Kp0ixAnBtL

Fantastic video!

awesome!